在这部系列纪录片中，一家锐意进取的电子烟初创公司成长为价值数十亿美元的公司，但一场疫情使一切成功烟消云散。

[ワンセグ2] 2010年6月7日(月)～6月11日(金) ひる12時55分～13時00分 全5回 　　『ワンセグ世代に捧ぐ ☆ it’s a ゴージャスなミニドラマ』 　　漫画家志望の草食男子・信之介（窪田正孝）が、資産家の自由気ままなお嬢様・みずほ（杏）に出会い、彼女に翻弄されながらも日本男子の気骨を武器に、彼女に見初められるまでを描くラブコメ＆サクセスストーリーをワンセグ独自放送でお届けします。 　　脚本はコメディードラマの名手・尾崎将也さん（「結婚できない男」「まっすぐな男」他）のオリジナル作品です。 　　ほんの５分のミニドラマながら、３０分ドラマの要素を“ギュッ！”と詰め込みます。背景なし（ブルーバック）で出演者の演技を全て撮影。オリジナルイラストの背景画を合成、随所にマンガやアニメーションを挟み込む新手法で映像を作ります。アラサー世代の女性にお楽しみいだけるようファッションにもこります。

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

住在郊外新兴住宅区的高野医师（村井克行 饰），突然收到一封电子邮件。还在上小学的儿子高野生（神木隆之介 饰），遭遇绑架事件。多摩东警察署刑事课长绪泽(生濑胜久 饰)接获绑架通报后，马上命令主任白砂(内藤刚志 饰)潜入高野家进行搜查。警视厅搜查一课管理官莲见(龙雷太 饰)于是安排掳人绑架事件处理专家的桐子薰(财前直见 饰)参与办案。高野家每天都会收到犯人自电脑上所发出的猜谜信件，唯有破解谜题才能找出线索，找出犯人才能顺利的救出人质。犯人到底是谁？ 　　『电子情迷 QUIZ』是在日本播出之后就造成话题的精彩悬疑剧。紧张的剧情，紧凑的节奏，令人百思不解的谜题，喜欢悬疑推理剧的朋友不容错过。

威尼斯电影节非竞赛特别展映

威尼斯电影节非竞赛特别展映

In a future where human memory is recorded on cards and biomechanical bodies are replaced by biological ones, anyone can change appearance following their mood, as long as they can afford it. But people who can not continue to rent their expensive bodies and are forced to abandon them. This is what threatens Emma Beaufort.

In a future where human memory is recorded on cards and biomechanical bodies are replaced by biological ones, anyone can change appearance following their mood, as long as they can afford it. But people who can not continue to rent their expensive bodies and are forced to abandon them. This is what threatens Emma Beaufort.

E-Ticket is a frantic re-cataloguing of a personal archive and a vehicle for the re-birth of forgotten images. 35mm still photographs are obsessively tape-spliced together, one frame at a time, in evolving rhythmic patterns – views shift between a school trip to India and culminate in documentation of a violent 2005 protest at a World Trade Organization summit in Hong Kong. A re-telling of Dante's Inferno for the streaming age; freedom of movement reserved for the modern cloud. (Simon Liu)